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Poems
TABLE OF CONTENTS
1. Introduction
pp.2-3
2. Interpretation of Contemporary Poems of the 1960s
pp.3-9
2.1. Bob Dylan’s ” Blowing in the Wind”
pp.3-5
2.1.1. The Song’s History
2.1.2. Analysis
2.1.3. Dylan’s Appeal to theReader
2.1.4. Personal View of the Song
2.2. Barry Sadler’s ”Ballad of the Green Beret”
pp.5-7
- The Song’s Background / What is a ” Green Beret ?”
- Analysis
- The Song’s Aim: Praise the Perfect
Soldier
- Bob Dylan’s ” With God on our Side ”
pp.7-10
- The Motto
- Analysis
- Comparison
3.1. Comparison of ”Blowing in the Wind” and ”Ballad
of the Green Beret” pp.10-13
3.2. Comparison of ” With God on our Side” and
”Ballad of the Green Beret”
3.3.The Three Poems –From Patriotism to Doubts and
Irony
- Personal Conclusion
pp.13-14
- Addendum
pp.15-25
5.1.Words to ”Blowing in the Wind”
5.2.Words to ”Ballad of the Green Beret”
5.3.Words to ”With God on our Side”
5.4.The Special Forces Prayer
5.5.Bob Dylan’s Biography 1941-1997
5.6.Barry Allen Sadler’s Biography 1940-1989
6. Bibliography
pp.26-26
- Introduction
The sixties-a time of change
After World War II , the American people , under Dwight D.
Eisenhower´s presidency , wanted peace and quiet and an end to all
activism.The Eisenhower years were times of great conformity , when even the
nation´s youth aspired to little more than the standard pattern of material
success represented by a nice car, well-behaved children , and a pleasant house
in the suburbs.Rather contrastive to the ideals and ambitions of young
Americans in the 50s new ideas were born in the 60s.The 60s were a time of
remarkable flux and change. The social-cultural trends of the decade reflected
not only the relative affluence of the post World War II period , but also the
coming to maturity of a generation that was a product of that
prosperity.
Many changes took place and revolutionary ideas came to birth.Several black
leaders such as Malcolm X , Martin Luther King and Stockley Carmichael formed
organizations like the Student Nonviolent Coordinating Committee (SNCC) or the
Congress of racial equality (CORE).Aim of those Institutions and leaders was to
set the black people free and to fight for equal rights for black
Americans.Another Group inspired by black militancy was a group of educated
women who began to assert that the American (Western ) society was
male-dominated.They strongly felt that women were discriminated against in
jobs and status.Just like the black civil rights activists they wanted to change
the existing system to improve their status in society.
These new, radical voices were also heard among the intellectuals and
the young , especially college students. Interllectually , the 50s had been a
conservative decade because even for left-wing activists America in the 50s
still represented the lesser of two evils compared to Russian communism , which
displayed all its brutality in the downkeeping of political opposition and the
Soviet invasion of Hungary ( 1956 ).
So in the early 60s , the intellectual and literary communities began to
change .These cycles were now dominated by young idealists who believed that a
better world was possible.
They were often university students from middle class or upper middle
class families who had always enjoyed the benefits of an affluent , suburban
society.Some came from conservative families and were clearly rejecting the
values and ideals of former generations.
Never having known want or social insecurety , these young people felt free
to take risks defying society.They refused to go along with its values.Some
chose to dissent by adopting life styles that sharply differed from those of
most Americans. Young men now wore their hair long and women decided to wear
colorful beads and bizarre costumes.Conventional marriage and the institution of
the traditional family were rejected by this new youth , they rather chose to
live together informally in “communes”.Furthermore , they renounced
conventional careers and sought a new freedom in experimenting with
psycho-active drugs such as LSD and Marijuana.
With the American intervention in Vietnam a new pacifist , anti-war
oriented movement grew among the youths in America.The radical segments of the
college students and other youths were completely convinced that this war was
unrelievedly evil and immoral. Such anti- war activists ( ” doves”
) organized peace marches and ”teach-ins” at the universities to
express their opposition to continuing the conflict.
The probably best-known musician and poet of this time is Bob Dylan whose
songs electrified the civil rights movement , and breathed new life into the
folk music genre .Therefore , my aim will be to depict two of his songs to get
to know more about the revolutionary ideas of people in the 1960s/70s
.Contrastive to this new youth-movement stand people like Barry Saddler who
wrote the pro War , pro army ” Ballad of the green Beret” . Both
Barry Saddler and Bob Dylan express their attitude towards life in their lyrics
and music, hence my aim will be to work out crucial differences in order to
learn more about
THE REVOLUTIONARY IDEAS OF YOUNG PEOPLE IN THE 1960s/70s.
2._Interpretation of Contemporary Poems of the
1960s
2.1. Bob Dylan´s ”Blowing in the Wind”
2.1.1. The song’s History
The inspiration for this song is believed to have come to Bob Dylan´s
mind one afternoon in April 1962 , during a long political discussion with
friends . As the conversation petered out in silence , Dylan was suddenly struck
by the thought that there were severe problems in the U.S.A. of his time ,the
Western world , respectively.
He had known this for a long time then and expressed his opinion towards
the matter of the civil rights movement both as an artist and as an activist
going out on the street . What he suddenly realized , however , was that the
general public refused to see what was going wrong.. As he puts it:” The
people in power refuse to look at what is happening. And the others , they ride
the subways and read the Times , but they don´t understand. They
don´t
know. They don´t even care and that´s the worst of it
.” [1]
This frustration is expressed in his probably best known song ”
Blowing in the wind”.
The title already suggests that people do not care to give an answer or a
solution to the enormous problems . At the same time , the poem aims at making
people open their eyes to the obvious problems of these times such as fully
integrating blacks and women into society.
2.1.2. Analysis
The poets objective is reflected in the structure of the poem.
The poem consists of three stanzas , each of nine lines . Every stanza is
structured the same way : in the first six lines Dylan is asking three
rhetorical , almost unanswerable questions . The question phrases always start
with the same words (...” How many ...” ) , Dylan chose this
parallelism as a stylistic device to put all emphasis on the questions asked ,
for the answer , as it is stated in the last three lines of each stanza , is
”...Blowing in the wind” anyway .
Within his stanzas , Bob Dylan moves from the general to the particular .
His first stanza begins with a strong opening image of a man walking down a
road , which clearly relates to the civil rights marchers. Using the image of a
white dove in the second question again reminds the reader of the civil rights
movement. The activists were often referred to as doves , and of course everyone
knew that a white dove was and still is a symbol for peace. In Dylan’s
eyes, people do not care about these symbols .It is not foreseeable when the
”dove” and the ”man” will eventually reach their aim.
The Public did not even see their necessity , as they closed their eyes to the
horrible state the world is in . Dylan ,on the other hand, illustrates that he
sees no point in fighting and cannot understand , that cannonballs are still
flying , that nobody sees a point in banning them .
As the Vietnam War is about to begin , those lines especially refer to the
Vietnam War , but not solely , because Vietnam is not explicitly mentioned. This
song is vague and all-encompassing and therefore it can be applied to almost
any freedom issue ,at any time . Still , some metaphors and images clearly
stem from the 60s .It is not absolutely necessary, though , to know them to get
the message of this song.
Stanza N°2 starts off with the metaphor of a mountain being washed
into the sea . Dylan chose this image because it is almost impossible to imagine
the time it will take until a mountain will finally be washed into the sea. This
mountain is compared to the , in the author’s eyes, racist materialist ,
imperialist and repressive American society . It will take exactly the same time
to open society’s eyes to liberal ideas as it takes to wash down the
mountain. Dylan implicitly wants to encourage the civil rights movement to
keep on trying to make the U.S.A. a better place to live in , even if it will
take an almost unimaginable long time .
As in the first stanza his second and third question are more
straightforward than his philosophically disguised questions before. He then
moves to the oppression of some people (...” allowed to be free”...)
. The following lines connect to his idea that made him write ” Blowing in
The Wind” : he accuses the general public of turning their heads and
pretending not to see what is going wrong .
In the third stanza the author appeals to the reader not to remain in his /
her lethargy , but to sharpen his / her senses to the evil of the world . This
is emphasized by the application of words relating to our senses :look /see
,ears/ hear and cry /hear .
The first question urges the reader to open his eyes in order to perceive
his surroundings clearly. He is to open his ears to the cries of the suppressed
people and to finally realize that too many have died in vain.
2.1.3 Dylan’s Appeal to the Reader
Dylan appeals to the reader’s common sense by asking these obvious
questions. The point Dylan wants to make is that the real problem concerning
the above -mentioned questions is not answering them but asking them . Most
people , he points out ,do not care about those problems and do not bother to
ask such obvious questions .
Furthermore , the song is validating the concern of the youthful protest
movement while absolving them from the obligation to come up with absolute
answers to the problems about which they protested.
The main idea of this song is that there are no hard and fast answers , the
first obligation is to care. ” The way to answer those questions ,”
said Dylan ” is by asking them. But lots of people have to first find the
wind.” [2]
2.1.4. Personal View
Personally , I think it is a great song , because , on the one hand it
implicitly deals with the topics young revolutionaries liked to hear about (
oppression of blacks , women’s role in society ) but on the other hand ,
because all statements are put generally , it can be applied to any freedom
issue at any time.
Although Bob Dylan borrowed the tune from the old folk song ” No
More Auction Block ” [3]for this song , ” Blowing in The Wind ” marked a huge jump in
Bob Dylan´s songwriting , because it remains the song with which
Dylan´s name is most inextricably linked . It safeguarded his reputation as
civil rights libertarian through any number of changes in style and
attitude.
2.2 Barry Sadler’s ”Ballad of the Green
Beret”
2.2.1. The Song’s Background / What is a Green Beret ?
Before taking a look at Barry Sadler´s lyrics it is necessary to
explain what exactly is a Green Beret .They are a ” breed apart , a cut
above the rest , fighters of uncommon mental and physical caliber. Mature ,
highly skilled , and superbly trained , they are ready to serve anywhere at any
time.” [4] They are usually referred to as the absolute elite within the army .
Deployed on every continent , operating in remote areas under Spartan conditions
, they also often train their allies to defend themselves against tyranny and
oppression .
A member of the U.S. special forces should always remain devoted to their
Latin motto , ” De Oppresso Liber ”-To free the oppressed
. [5]
Because President Kennedy felt that since they had a special mission ,
Special Forces should have something to set them apart from the rest , he
authorized the beret as a part of the Special Forces uniform in 1961.The Green
Berets also took part in the Vietnam War
. [6] Army Staff Sergeant Barry Saddler helped write ” The Ballad of the
Green Berets ” while recuperating from a leg wound suffered during his
service as a medic in the Vietnam War. He later sang the tune on a record that
became the nation´s N° 1 hit for five weeks in 1966 and eventually
sold 9 million singles and albums. [7] It then
became a popular anthem for the special forces. Ballad Of the Green Beret was a
great inspiration and source of pride to many Americans serving in an unpopular
war.
2.2.2. Analysis
Formally , this text is subdivided into 4 stanzas consisting of four lines
and a chorus , which is sung after each paragraph exept for the fourth and
fifth paragraph.
In the first stanza , the green berets are described as ” fighting
soldiers from the sky ” (l.1) who do not fear anything , not even facing
death , as they are men with a mission . Furthermore , Sadler puts emphasis on
the special mental caliber of those men , and highlights their honesty and
decisiveness .( ”Men who mean just what they say” , ” fearless
men ”)
The chorus is a very important part of this song as it is repeated twice .
We learn about the Special Force’s insignia , namely the silver wings
upon the soldiers´ chests. Ssgt. Sadler –in the chorus as throughout
the song – wants to encourage the members of the Special Forces to take
pride in what they are doing . In his eyes these soldiers are worthy being
called ”America’s best”
( l.6 ). Only those who prove to live up to the standards the Special
Forces request can once wear a Green Beret . Sadler underlines the outstanding
requirement standards they have to meet and the tough training the soldiers
have to undergo in ll.7/8 : ”one hundred men will test today , only three
win the green beret”.
The extraordinary training will lead them fighting for America , or from
Ssgt Sadler’s patriotic angle ” for freedom’s land
”.This statement goes along with the motto of the Special Forces : to free
the oppressed .
The third paragraph also mentions the camaraderie between the soldiers ,
they will fight ” hand in hand ”.So here another requirement is to
be noticed: these soldiers need not only be at 100% physical fitness but also
need to fit in neatly with the rest of the service members .
Men such as the Green Berets will not hesitate to sacrifice their own
lives .They make it possible for others to enjoy their personal freedom due to
their resentless efforts to fight for ” a better day ” ( l.11 )
.
Death is seen as the ultimate sacrifice for a man’s country. Dying
for ideals is described as very heroic. ( ”Fearless men ,jump and die
”)
Sadler uses many repetitions throughout his song. What struck me most was
the repetition of the word ” die ” which describes Sadler’s
opinion on death in the battlefield. The martyr-motif is repeated again and
again.
Sadler implies that the Green Berets are more than men. They could rather
be described as ultimate war machines who have even overcome the human fear of
dying.
The fifth and sixth stanza tell the story of a brave Green Beret who has
” met his fate ” , died in combat
. He died for his young wife who is waiting at home , so she will once see
” a better day” . These lines are very interesting when seen in
context with the Vietnam War . In the U.S.A. of the 1960s the so called ”
Domino Theory ” was very popular. It stated that if one country would
become communist-ruled the other neighboring countries would sooner or later
become communist , too. From the American point of view , communism was regarded
as evil and oppressing , so they did not want the rest of the world to be
communist .For both their and America’s sake , they intervened in
Vietnam [8] . With this background-information in
mind , the significance of the sentence : ” he has died so that she may
live ” becomes clear. In order to maintain the democratic order in the
western world , men like the green berets have to die , so that our world would
not fall into communist suppression. This Beret of course stands exemplary for the rest of the corps .
The only request he left his wife was to make his son ” one of
America’s best ”. He is to be made a Green Beret as well . The dead
soldier wanted his wife to give the little boy the right education in order to
win the green beret some day . Here, a vicious cycle is no be noticed.
Sadler’s opinion towards dying is blurred : He thinks it is a great thing
to die for his country. One day the young boy will probably meet his fate as
well.
2.2.3 The Aim of the Song :Praise of the Perfect Soldier
Basically , this song portrays a perfect breed of soldier , of almost
superhuman virtue , fearlessly fighting to free all the people suffering from
the chains a dictator somewhere tied around their feet.
As this song was written during the Vietnam War it is obvious that this
song is highly political and that the author approves of warfare ( ”
fighting soldiers ” ) . The text wants the average American to take pride
in his Special Forces , because they ” will die so that they can live
”. It is evident to the author that wars need to be fought for the sake of
a democratic , free America and therefore a free Western world. He successfully
addresses to people’s feelings in the times of the Cold War , where
everyone feared a Russian airstrike . He talks of young wives waiting at home
who have to cope with the loss of their husbands because they lost their lives
in combat for an American nation . I figure that many Americans were glad that
such ”fearless men ” existed . The song is the n° 21 song of
the 1960-1969 rock era and managed to stay n° 1 for five weeks in 1966 .
[9]
This song does not judge of wars in a critical way whatsoever . It is not
very objective , either. It plainly praises the active members of the
U.S.S.F.. The text states that the Green Berets are weapons against injustice .
Therefore Sadler sees no point in condemning warfare , he goes even further and
glorifies the inhuman death in the battlefield.
Sadler´s aim was to motivate the troops in Vietnam and to get some
positive feedback for their mission . This song does not intend to be critical ,
on the contrary , its aim is to stir peoples’ emotions.
2.3. Bob Dylan’s ” With God on Our Side
”
2.3.1. The Motto : ”In God we trust”
” God’s own country ” , this is a popular name the
Americans gave their country . On the outside , American everyday –life
and religiousness are tightly interwoven . Even the American Dollar-bills state
it : ” In God we trust”. In the past , whenever there was the
discussion in America , whether to mobilize the army or not , fighting for God
was a good argument .
In this well –known protest song of the 60s,Dylan conducts the
experiment of critically commentating the Americans and their relationship to
God.
2.3.2.Analysis
This poem consists of nine paragraphs , each one consisting of four lines.
As a narrator from the Midwest , which played a crucial part in the development
of the United States, Dylan guides the reader through American history . The
first seven stanzas deal with wars in which one side thought that God was on
their side .The last two stanzas could be described as a conclusion the narrator
arrives at : It is the statement that if ” God is on our side ,
he’ll stop the next war”- the clear opposite of what God was
evidently to stand for in the described history.
The poet starts with the very beginning of the American nation ( first two
stanzas ). The first two lines give a rather ironic characterization of a
typical Midwesterner , when saying ” my name it means nothing and my name
it means less , thus Dylan gives a description of a person from the Midwest who
lacks any personality and individuality. These lines are ironic because they
stand in direct contrast to what the Midwest symbolizes. In the very beginning
of the American nation , the Midwest was the region from which America expanded
westward .On the frontier there were no rules a person had to obey and nothing
to restrict his movement. So out in the wilderness of the American Midwest , you
could not afford to be one of many , you had to stand up for your own. Even
today , people from the Midwest claim this spirit has
survived. [10] In the eyes of the poet , however
, individualism is wiped out , because the individuals have become victims of
conformity. The narrator is a typical product of his country and the country’s
values (..”I was taught and brought up there... ”) . His opinion and
beliefs were formed through his education (the laws to abide ) , and therefore
he represents the average American. He learned and obviously seems to believe
that his country has always got ” God on its side ”.
The second paragraph retells the story of the American fight against the
Indians . Again , irony is used to illustrate the misleading information the
history books give : ” they tell it so well ”what happened during
those fights . The following lines suggest that the fight between Indians and
Americans was unfair and brutal . Dylan uses a parallelism to express the tempo
in which Indians were shot in such battles : The lines six and seven are the
same except for the last words , first Indians ” fell ” and then
directly ” died”.
Although the fight against the Indians could easily be described as an
American invasion of foreign territory, the narrator tells us that his young
country had ”God on its side ”.
Without going into details , he mentions the Spanish-American War of
1895 [11] and the Civil War in the third
paragraph. Here , Dylan probably wants to point out that in the short history of
the U.S. so many wars have been fought that they need not be discussed at great
length. The only thing the average American needs to know are the names of the
heroes , the narrator ” was made to memorize ”.Those who have the
guns in their hands have God on their side. With this sharp contrast , (”
guns in their hands , God on their side ” ) Dylan stresses the ambiguity
of the idea that God is on the side of the fighting Americans. We learn that
they , too had God on their side , even if they had ” guns in their hands
” to kill. Both wars were officially fought for idealistic reasons , but
if you take a closer look it becomes evident that it was not like this
. Many Americans saw the Spanish –American war as an opportunity for
American imperialism , although it was stated that the American troops were sent
to Cuba to stop brutal killings . Slavery certainly was an issue over which was
fought in the Civil War but basically it was fought for economic
reasons. [12] So the actual reasons for those
wars were not quite of moral nature , mostly they were fought for financial
reasons .Dylan wants to point out that the reasons for the wars mentioned are
futile , no matter what kind of pretext they were officially fought
over.
In the fourth stanza , Dylan makes the narrator indifferently and
shockingly short sum up the first World War, which ” came and went”.
Although he could never quite figure out why it was fought , he learned to
accept the fighting and dying in a war that is considered the probably bloodiest
war , ever [13].But more than that , he learned
to accept ” it with pride ” , because he was taught that God was on
his nation’s side . Therefore he did not see a reason in counting the dead
.
The fifth paragraph then deals with what happened in the relations between
allied forces and Germans after World War II. Although the Germans , as Dylan
puts it in an unbelievably brutal image , have ” murdered six million , in
the ovens they fried ” , now too have God on their side . Those who have
fought all their wars in the name of God namely the Americans , are eventually
friends with the murderous Germans of once .
This is for some simple reasons : After World War II , the German
Government became democratic and therefore was opposed to Russian Communism. The
Germans have therefore accepted the American set of political values , hence
have God on their side ( in form of the U.S.! ).
The sixth paragraph depicts the Cold War between the Western Union and the
Eastern-Russian Union. Due to the ideological brainwashing the narrator is ready
to fight the Russians in a war ( ” to hate them and to fear them ”
) , always with the certainty in mind that the Almighty is on his side.
Therefore he will bravely accept it all. He has learned to hate Russians all
his life. It is thus emphasized that hate is not an emotion that a person
develops out of his own judgement , but something he is ” taught ”.
His own critical ideas are eliminated.
The seventh paragraph deals with a possible nuclear war , thus bringing the
enumeration of wars to the ultimate. This peak is expressed by the words ”
but now ” , indicating its significance within wars .Compared to the other
wars , the author has referred to , this seems the very terrible end. This idea
is emphasized by the thought that one ” push of the button ” will
eventually destroy the world. Again , this war is likely to be fought by those
who are told what to do and do it in blind obedience ( ” If fire them
we’re forced to , then fire them we must ” ). Therefore , the mental
attitude of having God on one’s side when killing other human beings will
doubtless lead to the end of all civilization.
Having considered the complete military history , as he was taught in
school , from the conquest of the native Indians , then the Mexicans and
Confederates , on through two world wars , up to the point where his country
trembles on the brink of a nuclear war with Russia , the narrator now comes to
a conclusion in the two last stanzas.
These two last stanzas form a contrast because here , the narrator
really starts to ” think ”. This thought process puts him in a dark
mood : ” In many a dark hour ... ”
He reflects that Jesus Christ , himself , was betrayed by a kiss” .He
realizes that God himself was betrayed by what seemed full of love and goodness
on the outside : a kiss. Thus he draws the parallel to those who outwardly have
the good , ” God on their side ”. In reality , however, this is not
love and goodness but evil itself .
Judas Iscariot in this stanza takes the role the U.S. took in the
paragraphs before . He betrayed God by his deeds , and therefore it is suggested
that the United States by their deeds betray God , although claiming to have
him on their side.
Judas Iscariot like the U.S. , however , betrayed God so he could not
possibly have had God on his side.
Considering this , the narrator is confused and ”weary as hell
” . He comes to the conclusion that God has never been on the side of
nations fighting wars but, on the contrary , on the side of those who try to
avoid wars ( ” he’ ll stop the next war ” )
The narrator’s conclusion remains personal , though . ” Each
reader is to use his own brain. He is not to accept everything he is told. The
author does not want his readers to be uncritical . He rather wants the insight
that eventually struck him to be thought over by each individual reader for
himself ( ” I can’t think for you ”).
The author consciously puts himself into contrast to those who just make
people blindly believe , what they are saying. Hence , this song displays a
thought process the narrator is going through , a development which ends in the
conclusion that ” if God is on our side he ‘ll stop the next
war”.
3. COMPARISON
3.1. Comparison of ”Blowing in the wind” and
”Ballad of the Green Beret”
3.1.1 ”Ballad of the Green Beret”/ Glorification of Soldiers/
Death as a Sacrifice
As illustrated above , Barry Sadler’s song is a very patriotic one
.It approves of any means the American nation would have to take in the fight
for American ideals , especially warfare. Its aim is the glorification of
soldiers fighting for democracy , first and foremost in Vietnam. The Vietnam War
was a very unpopular war , so this song was written for service members who
believed that their fight in Vietnam was right. Sadler wanted to encourage the
men of the Green Berets on their ungrateful mission . With his ballad he gave
them a source of pride. Hence , this song does not convey any criticism of
warfare or anything connected to it , whatsoever.
The probably most striking fact is the attitude towards death displayed
in his song. Because the Green Berets , according to Sadler , are on a mission
, death for this mission is a heroic sacrifice ( .. ” he has died so she
may live ..”). Therefore , the exemplary Green Beret in Sadler`s song
wants his son to become a Green Beret , even if this means dying . Here , a
vicious cycle is to be noticed , fueled by fanatic patriotism.
3.1.2. ”Blowing in the Wind” : Frustration With
Society
Bob Dylan wrote ” Blowing in the wind ” while being totally
frustrated with the American society. As mentioned before he was not very
content with several issues in American politics , especially freedom issues. He
felt that , even in the U.S .A. , not all people were equally equipped with
rights .His intention was to support the Civil Rights Movement and to pour
salt into the wounds of the American society , to make the general public more
aware of current problems.
3.1.3. Fundamental Differences Between the Two Songs
It becomes evident that the two songs differ widely from each other .They
stand for different idealistic approaches in the American society in the 1960s.
This already shows as early as in the structure of the texts.
In itself striking is the stylistic means of an enumeration of questions we
find in Dylan’s ” Blowing in the wind ”. By repeatedly using
questions , he conveys his doubts that everything is working out in his society.
In Ballad of the Green Beret , however , no doubts about the American/Western
society are expressed. Thus, not questions but statements prevail (
”fearless men who jump and die, these are men, America’s best
”).
Sadler obviously holds the view that the American system is superior to all
others , otherwise he would not support the fighting and killing for American
ideas .He does not question the American society , he approves of it
(”freedom’s land...”)
Dylan , by asking questions , wants the readers to think about the shortcomings
of their society and therefore eventually change it gradually (”How many
years must a mountain exist ”) .
The tone of ” Ballad of the Green Beret ” is cheerful ,
encouraging , optimistic and patriotic , (” fighting hand –to-hand
” , ”make him one of America’s best”).The tone of
Dylan’s song is diametrically opposed . Not a single question asked is
answered.. The poet seems to be frustrated that there are no answers to his
questions in society . He aims at putting the reader in a contemplating , sad
mood .He wants to activate the reader’s will to change things , but first
of all , he tries to stir them and make them sensitive of problems . Sadler , on
the other hand, wants to stabilize the status quo.
Both songs deal with freedom and oppression. It gets very obvious that
Dylan and Sadler have different definitions of those terms. ” Ballad of
the Green Beret ” only discusses the problem of people in other countries
than the U.S. , who are suffering from dictators and especially from communism.
The idea of a Green Beret dying for those oppressed implies that there is no
oppression or injustice whatsoever in the U.S.A..
Dylan’s song , on the other hand, deals with freedom issues in
general , but also points a finger at things not working out in the United
States of his time ( ”...before it is washed into the sea ..”). He
recognizes injustices within the U.S.A. . This criticism is not outspoken and
direct, though. By using metaphorical language ( ”white dove ”, man
walking down the street) it is rather hidden.
Sadler , a true Green Beret ” means just what he says. He uses clear
symbols everyone can easily understand. Dylan’s images are more in-depth
and require some time to be properly understood .
Sadler stresses the idea of a group with one goal they all want to achieve
( ” fighting men” , ”men who jump and die” etc.) . He
always uses the plural form , none of them is not consistent with the given aims
. Dylan , however , mostly talks of people in singular form ( ” must
a man walk down ”) , he stresses individualism and thinking for one self
.In the Special Forces , there would not be any room for individual , critical
thinking , only for standing in line with the others.
Most striking of all is the difference when talking of death . For Sadler
, death is a necessity in the fight for a democratic world , whereas Dylan doe s
not see any point in fighting at all . He condemns fighting and even dying for
ideals . Sadler’s opinion of warfare is also widely differing from
Dylan’s . Sadler approves of it ( ” men who fight and die ”)
, whereas Dylan thinks that ” too many have died ”.
”Ballad of the Green Beret ”only accepts one view of the
situation in the sixties: the U.S.A. are right with whatever they are doing ,
even if they are involved in wars , even if their men have to die. Sadler thinks
all this is necessary to guarantee freedom to the American nation.
Dylan has rather got a different opinion .
He holds the view that war –no matter what it is fought for –
is immoral and evil. Dylan desperately tries to wake up people and the world to
realize that there is no sense in killing and dying . He wants them to realize
that there are still people in the U.S. ( women , ethnic minorities e.g. blacks)
who cannot enjoy all freedoms the Green Berets claim fighting for.
3.2. Comparison of ”With God on our Side” and”
Ballad of the Green Beret”
3.1.2. ” With God on our Side ”- A critical review of American
military history
Bob Dylan’s song critically reviews the military history of the
American nation. After having thought about the wars fought and the wars still
to come , the narrator finally comes to the conclusion that God cannot possibly
be on his nation’s side, although always stated by its
officials.
Dylan takes the role of an American innocent who at first believes
everything he was taught in school .After having given an enumeration of wars ,
he starts to do some thinking and then finally realizes that there has got to
be a difference between what he was told about the objectives of American
military actions , fighting on God’s behalf, and reality.
3.2.2. Different Attitudes
Both ” Ballad of the Green Beret” and ” With God on our
Side ” deal with the American military forces yet from totally different
angles.
In his song , Sadler portrays a perfect soldier. He describes heroes in
uniform fighting for ”freedom’s land”. The author gives an
outward description of the U.S. Special Forces in combat.
Dylan’s song illustrates a thought process the narrator goes through
. Here , the emphasis lies on a personal experience .The author uses this to
make it possible for many people to identify with the narrator and therefore
come to the same conclusion. The conclusion is : God is not on the side of
nations fighting wars.
While ” Ballad of the Green Beret ” states that the Green
Berets are fighting for freedom and against suppression , ” With God on
our Side ” reveals the real reasons for fighting. Dylan picked out wars in
which the reasons for combat were mostly for reasons of financial nature. He
wants to express his feeling that , again , there’s a gap between things
told and reality.
Sadler’s song glorifies American soldiers as brave and fearless men ,
immaculate in character.
The same soldiers that are glorified in Sadler’s anthem , are made
fun of in Dylan’s song. He sarcastically calls the soldiers who cruelly
have killed Indians and Spaniards heroes. In this context , it becomes evident
that Dylan’s slaughtering men cannot have God on their side and that they
are not really suitable idols.
The first stanzas of ” With God on our Side” illustrate the
official interpretation of American military heritage , which are very alike the
clichés Sadler presents of the American soldiers.
The tone of both texts is very different. Unlike the patriotic , uncritical
” Ballad of the Green Beret ” , ”With God on our Side ”
conveys a severe criticism by using sarcastic , bitterly ironic even aggressive
expressions ( You don´t count the dead with God on your side ” / Six
millions in the ovens they fried ” / If God is on our side , he’ll
stop the next war ) .
”With God ...” not only conveys general criticism of warfare ,
but Dylan especially points out the horrors of the American past that are
usually employed to glorify great achievements.
The Special Forces refer to God as the ” Champion of the
oppressed” in their prayer and acknowledge their dependence on him .
Dylan refers exactly to the attitude conveyed in those lines when saying that
the American army claims fighting on God’s behalf. ”Ballad of the
Green Berets ” contains all the statements Dylan revolts against : namely
America has always got God on its side , soldiers are heroes and wars are
necessary to obtain a free Western world.
Dylan unmistakingly makes it clear that –in theory- God and
War are two things that do not go along well with each other , yet in reality
are closely linked. ( see prayer of Green Berets).
3.3 The Three Poems - From Patriotism to Doubts and
Irony
Having analyzed these three poems and the ideas conveyed , it is quite
obvious that one can see a development : Sadler’s poem stands like a rock
with ist positive , idealistic patriotism. In ” Blowing in the
Wind” this ” rock” is attacked by doubts and questions , yet
no answers are given.
This changes , however , in ” With God on our side: Here, a
definitive answer is given : the clear , outspoken message is ” stop the
next war! ”. Dylan has thus lost the vagueness and doubt of ”
Blowing in the Wind” and is just as outspoken as is Sadler in ”
Ballad of the Green Berets”.
4. Personal Conclusion
4.1. Working with the Texts
I rather enjoyed analyzing the texts above , because they offered me an insight
into the society of the sixties and especially on some revolutionary ideas
young people had in this decade.
Since the texts , both ” Ballad of the Green Beret ” and
Dylan’s texts deal especially with the American society , I learned a lot
about the different political attitudes one could find in the U.S.A. , and how
much they could clash. There were still many people who could be described as
conservative , represented by Sadler’s Song. On the other hand ,there
were many youths and students who felt that a change of traditional structures
was necessary. Bob Dylan’s songs very much express their feelings in his
songs.
This movement in the sixties was very powerful. The movement itself
brought many changes in everyday life we still witness today . The influence of
the new voices that were heard in music generally changed peoples’
approach to popular music.( see 5.5.)
Adults often deplored the new youth culture. They saw it as a hostile
counter culture that foolishly rejected the accumulated wisdom and taste of the
Western society. Adults noted the flight to drugs , astrology , witchcraft ,
the occult , and other fads as a rejection by the counter culture of even the
basic Western value of reason and rationality. But this powerful protest
movement also had some influence : adult fashions, for example, were strongly
influenced by the clothes of the young .The political styles of the young
radicals ranged from anarchist to Stalinist , to Trotskyist , to Maoist ,
representing every conceivable shade of leftism. Some thought it possible to
effect change within the existing constitutional system. Some believed only
violent revolution could improve America . But they all were consistent with
the idea of pacifism and that every war is inhumane.
Then there were conservative people who felt that the American , the
democratic system is superior to all others , because , the people within the
system were free to do whatever they liked. Therefore , it could not possibly
be wrong to fight wars for these humane ideals .
All in all I got a rather detailed picture of the American society in the
60s. I have a lot of respect for the youths who dared to revolt against the
constituted state , to stand up for their ideals such as personal freedom,
equality and pacifism. This new approach to society made the world I live in a
lot more comfortable for a young man of 18. The movement broke every rule which
then existed , from clothes to political tendency , and made society more
tolerant of liberal ideas.
Especially Bob Dylan made a big change in music. In the 50s/60s music was
merely to entertain. Bob Dylan was the first person to make criticism of present
structures and music compatible. But not only that , he was the one who brought
his message to the masses and not only to the revolutionary-intellectual cycles
of his time.
4.2. Has anything changed?
Our society has surely improved in some points compared to the 60s
. Many things changed because of this youth movement which set sail to take
hold of the Old World as well.
It has to be mentioned , though, that there are still countries in the
world which needed such a phase of ” liberal enlightenment” , more
urgently than the U.S. needed it in the 60s. There is still oppression in our
world today . Everyday , people are slaughtered e.g. in Iran or in Kosovo
,directly on our doorstep. The problems of unfreedom , not having the right to
have an opinion differing from the mass-opinion still exists. Not in the
Western world , but in other regions the spirit of oppression is still alive. A
shift of problems has taken place.
For people oppressed , the U.S. is and have always been ” freedoms
land ” (B. Sadler) , but for U.S. citizens , used to having undeniable
democratic rights , the United States of America still could appear repressive
.
So Sadler’s and Bob Dylan’s ideas are still up to date . Up to
now we can see conservative , patriotic ideas clash with those who take a
more critical ,distant attitude and want to improve an existing
system.
5.Addendum
- Blowing in the wind
How many roads must a man walk down
before they call him a man?
How many seas must a white dove sail
before she sleeps in the sand?
How many times must the cannon balls fly
before they`re forever banned?
The answer my friend,
is blowing in the wind.
The answer is blowing in the wind.
How many years must a mountain exist
before it is washed to the sea?
How many years can some people exist
before they`re allowed to be free?
How many times can a man turn his head
and pretend that he just doesn`t see?
The answer my friend,
is blowing in the wind.
The answer is blowing in the wind.
How many times must a man look up
before he can see the sky?
How many ears must one man have
before he can hear people cry?
How many deaths will it take ‘til he knows
that too many people have died?
The answer my friend,
is blowing in the wind.
The answer is blowing in the wind.
Bob Dylan
5.2. Ballad Of the Green Berets
Fighting soldiers from the sky
Fearless men who jump and die
Men who mean just what they say
The brave men of the Green Beret
CHORUS:
Silver wings upon their chest
These are men, America’s best
One hundred men will test today
But only three win the Green Beret
Trained to live off nature’s land
[14] Trained to fight for
freedom’s land Trained in combat, hand-to-hand Trained in
combat hand to hand
Men who fight by night and day They will die
for a better day
Courage peak from the Green Berets Those brave men of
the Green Beret
CHORUS
Back at home a young wife waits
Her Green Beret has met his fate
He has died for those oppressed
Leaving her his last request
”Put silver wings on my son’s chest
Make him one of America’s best
He’ll be a man they’ll test one day
Have him win the Green Beret”
Barry Sadler
5.3. With God On Our SideOh, my name it is nothing, my age it means
lessThe country I come from is called the MidwestI was taught and brought up
there, the laws to abide
And that the land I live in has God on its side
Oh, the history books tell it, they tell it so well
The cavalry charged and the Indians fell
The cavalry charged and the Indians died
Oh the country was young then, with God on its side
The Spanish-American war had its day
And the Civil War too was soon laid away
And the names of the heroes I was made to memorize
With guns in their hands and God on their side
Oh, the first World War, well it came and it went
And the reason for fighting I never did get
But I learned to accept it, accept it with pride
For you don`t count the dead with God on your side
When the second World War came to an end
We forgave the Germans and then we were friends
Though they murdered six million, in the ovens they fried
The Germans now too have God on their side
I`ve learned to hate Russians all through my whole life
If another war comes, it`s them we must fight
To hate them and fear them, to run and to hide
And accept it all bravely with God on our side
But now we`ve got weapons of the chemical dust
If fire them we`re forced to, then fire them we must
One push of the button and a shot the world wide
And you never ask questions with God on your side
In many a dark hour I`ve been thinking about this
That Jesus Christ was betrayed by a kiss
But I can`t think for you, you`ll have to decide
Whether Judas Iscariot had God on his side
So now as I`m leaving, I`m weary as hell
The confusion I`m feeling, ain`t no tongue can tell
The words fill my head and fall to the floor
If God`s on our side, He`ll stop the next war
5.4. The Special Forces Prayer
Almighty God Who art the Author of Liberty and the Champion of the
oppressed hear our prayer.
We the men of Special Forces, acknowledge our dependence upon Thee in the
preservation of human freedom. Go with us as we seek to defend the defenseless
and to free the enslaved.
May we ever remember that our nation, whose oath "in God We Trust," expects
that we shall requit ourselves with honor, that we may never bring shame upon
our faith, our families, or our fellow men.
Grant us wisdom from Thy mind, courage from Thine heart, and protection by
Thine hand. It is for Thee that we do battle, and to thee belongs the victor`s
crown. For Thine is the kingdom, and the power and glory forever,
Amen!
- BOB DYLAN`S BIOGRAPHY 1941-1997
Bob Dylan`s influence on popular music is incalculable. As a songwriter,
he pioneered several different schools of pop songwriting, from confessional
singer/songwriter to winding, hallucinatory, stream-of-conscious narratives. As
a vocalist, he broke down the notions that in order to perform, a singer had to
have a conventionally good voice, thereby redefining the role of vocalist in
popular music. As a musician, he sparked several genres of pop music, including
electrified folk-rock and country-rock. And that just touches on the tip of his
achievements. Dylan`s force was evident during his height of popularity in the
`60s , the Beatles` shift toward introspective songwriting in the mid-`60s never
would have happened without him , but his influence echoed throughout several
subsequent generations. Many of his songs became popular standards, and his best
albums were undisputed classics of the rock and roll canon.
Dylan`s influence throughout folk music was equally powerful, and he marks
a crucial turning point in its 20th-century evolution, signifying when the genre
moved away from traditional songs and toward personal songwriting. Even when his
sales declined in the `80s and `90s, Dylan`s presence was calculable.
For a figure of such substantial influence, Dylan came from humble
beginnings. Born in Duluth, Minnesota, Bob Dylan (b. Robert Allen Zimmerman, May
24, 1941) was raised in Hibbing, Minnesota from the age of six. As a child he
learned how to play guitar and harmonica, forming a rock and roll band called
the Golden Chords when he was in high school. Following his graduation in 1959,
he began studying art at the University of Minnesota in Minneapolis. While
at
college, he began performing folk songs at coffeehouses under the name Bob
Dylan, taking his last name from the poet Dylan Thomas. Already inspired by Hank
Williams and Woody Guthrie, Dylan began listening to blues while at college, and
the genre weaved its way into his music. Dylan spent the summer of 1960 in
Denver, where he met bluesman Jesse Fuller, the inspiration behind the
songwriter`s signature harmonica rack and guitar.
By the time he returned to Minneapolis in the fall, he had grown
substantially as a performer and was determined to become a professional
musician.
Dylan made his way to New York City in January of 1961, immediately making
a substantial impression on the folk community of Greenwich Village. He began
visiting his idol Guthrie in the
hospital, where he was slowly dying from Huntington`s chorea. Dylan also
began performing in coffeehouses, and his rough charisma won him a significant
following. In April, he opened for John Lee Hooker at Gerde`s Folk City. Five
months later, Dylan performed another concert at the venue, which was reviewed
positively by Robert Shelton in the New York Times. Columbia and R man John
Hammond sought out Dylan on the strength of the review, and signed the
songwriter in the fall of 1961.
Hammond produced Dylan`s eponymous debut album (released in March 1962), a
collection of folk and blues standards that boasted only two original songs.
Over the course of 1962, Dylan began to write a large batch of original songs,
many of which were political protest songs in the vein of his Greenwich
contemporaries.
These songs were showcased on his second album, The Freewheelin` Bob Dylan.
Before its release, Freewheelin` went through several incarnations. Dylan had
recorded a rock and roll single, "Mixed Up Confusion" at the end of 1962, but
his manager Albert Grossman made sure the record was deleted because he wanted
to present Dylan as an acoustic folkie.
Similarly, several tracks with a full backing band that were recorded for
Freewheelin` were scrapped before the album`s release. Furthermore, several
tracks recorded for the album -- including " Talking John Birch Society Blues"
were eliminated from the album before its release.
Comprised entirely of original songs, The Freewheelin` Bob Dylan made a
huge impact in the
US folk community, and many performers began covering songs from the album.
Of
these, the most significant were Peter, Paul and Mary, who made "Blowin`
in the Wind" into a huge pop hit in the summerr of 1963 and thereby made Bob
Dylan into a recognizable name. On the strength of Peter, Paul and Mary`s cover
and his opening gigs for popular folkie Joan Baez, Freewheelin` became a hit in
the fall of 1963, climbing to number 23 on the charts. By that
point, Baez and Dylan had become romantically involved, and she was
beginning to record his songs frequently. Dylan was writing just as fast, and
was performing hundreds of concerts a year.
By the time The Times They Are A-Changin` was released in early 1964,
Dylan`s songwriting had developed far beyond that of his New York peers. Heavily
inspired by poets like Arthur Rimbaud and John Keats, his writing took on a more
literate and evocative quality. Around the same time, he began to expand his
musical boundaries, adding more blues and R &B influences to his songs.
Released in the fall of 1964, Another Side of Bob Dylan made these changes
evident. However, Dylan was moving faster than his records could indicate. By
the end of 1965, he had ended his romantic relationship with Baez and had begun
dating a former model named Sara Lowndes.
Simultaneously, he gave the Byrds" Mr. Tambourine Man " to record for their
debut album. The Byrds gave the song a ringing, electric arrangement, but by the
time the single became a hit, Dylan was already exploring his own brand of
folk-rock. Inspired by the British Invasion, particularly the Animals` version
of " House of the Rising Sun"
Dylan recorded a set of original songs backed by a loud rock & roll
band for his next album. While Bringing It All Back Home (March1965) still had a
side of acoustic material, it made clear that Dylan had turned his back on folk
music. For the folk audience, the true breaking point arrived a few months after
the album`s release, when he played the Newport Folk Festival supported by the
Paul Butterfield Blues Band. The audience greeted him with vicious derision, but
he had already been accepted by the growing rock and roll community, as well as
the mainstream press, who were fascinated by his witty, surreal and caustic
press conferences.
Dylan`s spring tour of Britain was the basis for D.A. Pennebaker`s
documentary Don`t Look Back, a film that captures the songwriter`s edgy charisma
and charm.
Dylan made his breakthrough to the pop audience in the summer of 1965, when
" Like a
Rolling Stone" became a number two hit. Driven by a circular organ riff
and a steady beat, the six-minute single broke the barrier of the three-minute
pop single. Dylan became the subject of innumerable articles, and his lyrics
became the subject of literary analyzations across the US and UK. Well over 100
artists covered his songs between 1964 and 1966; the Byrds and the Turtles,
in
particular, had big hits with his compositions.
Highway 61 Revisited, his firstfull-fledged rock & roll album, became a
Top Ten hit upon its fall 1965 release.
"Positively 4th Street" and "Rainy Day Women #12 and
35" became Top Ten hits in the fall of 1965 and spring of 1966,
respectively. Following the May 1966 release of the double-album Blonde on
Blonde, he had sold over 10 million records around the world. During
the
fall of 1965, Dylan hired the Hawks, formerly Ronnie Hawkins` backing
group, as his touring band. The Hawks, who changed their name to the Band in
1968, would become Dylan`s most famous backing band, primarily because of their
intuitive chemistry and " wild, thin mercury sound" but also because of their
British tour in the spring of 1966, The tour was the first time Britain
had
heard the electric Dylan, and their reaction was disagreeable and violent.
At the tour`s penultimate date -- usually referred to as the Royal Albert Hall
concert, but generally acknowledged to have occurred in Manchester - an
audience member called Dylan "Judas" inspiring a positively vicious
version of " Like a Rolling Stone" from the Band. The performance was
immortalized on bootleg albums, and it indicates the intensity of Dylan in the
middle of 1966. He had assumed control of Pennebaker`s second Dylan
documentary.
He then was under deadline to complete his book Tarantula, as
well
As to record a new record. Following the British tour, he returned to
America.
On July 29, 1966, he was injured in a motorcycle accident outside of his
home in Woodstock, New York home, suffering injuries to his neck vertebrae and a
concussion. Details of the accident remain elusive -- he was reportedly in
critical condition for a week and had amnesia -- and some biographers have
questioned its severity, but the event was a tturning point in hi career. After
the accident, Dylan became a recluse, disappearing into his home in Woodstock
and raising his family with his wife, Sara.
After a few months, he retreated with the Band to a rented house,
subsequently dubbed Big Pink, in Bearsville to record a number of demos. For
several months, Dylan and the Band recorded an enormous amount of material,
ranging from old folk, country and blues songs to newly-written originals. The
songs indicated that Dylan`s songwriting had undergone a metamorphosis, becoming
streamlined and more direct.
Similarly, his music had changed, owing less to traditional rock &
roll, and demonstrating heavy country, blues and traditional folk influences.
None of the Big Pink recordings were intended to be released, but tapes from the
sessions were circulated by Dylan`s music publisher with the intent of
generating cover versions. Copies of these tapes, as well as other songs, were
available on
illegal bootleg albums by the end of the `600s; it was the first time that
bootleg copies of unreleased recordings became widely circulated. Portions of
the tapes were officially released in 1975 as the double-album The
BasementTapes.
While Dylan was in seclusion, rock & roll had become heavier and
artier in the wake of the psychedelic revolution. When Dylan returned with John
Wesley Harding in December of 1967, its quiet, country ambience was a surprise
to the general public, but it was a significant hit, peaking at number two in
the US and number one in the UK. Furthermore, the record arguably became the
first significant country-rock record to be released, setting the stage for
efforts by the Byrds and the Flying Burrito Brothers later in 1968. Dylan
followed his country inclinations on his next album, 1969`s Nashville Skyline,
which was recorded in Nashville with several of the country industry`s top
session men.
While the album was a hit, spawning the Top 10 single" Lay Lady Lay" it was
criticized in some quarters for uneven material. The mixed reception was the
beginning of a full-blown backlash that arrived with the double-album, Self
Portrait. Released early in 1970, the album was a mixture of covers, live
tracks, re-interpretations and new songs greeted with vicious reviews from all
quarters of the press. Dylan followed the album quickly with
New Morning, which was hailed as a comeback. Following the release of
New
Morning, Dylan began to wander restlessly. In 1971, he moved back to
Greenwich Village , published Tarantula for the first time, and performed at the
Concert for Bangladesh; it would be his only live performance in the first half
of the decade.
During 1972, he began his acting career by playing Alias in Sam
Peckinpah`s Pat Garrett and Billy the Kid, which was released in 1973.
He also wrote the soundtrack for the film, which featured " Knockin` on
Heaven`s
Door" his biggest hit since "Lay Lady Lay" .The Pat Garrett
soundtrack was the final record released under his Columbia contract before
he moved to David Geffen`s fledgling Asylum Records. As retaliation, Columbia
assembled Dylan, a collection of Self Portrait outtakes, for release at the end
of 1973. Dylan only recorded one album, 1974`s Planet Waves - coincidentally his
first number one album -- before he moved back to Columbia.
The Band supported Dylan on Planet Waves and its accompanying tour, which
became the most successful tour in rock and roll history; it was captured on
1974`s double-live album, Before the Flood. Dylan`s 1974 tour was the beginning
of a comeback culminated by 1975`s Blood on the Tracks. Largely inspired by the
disintegration of his marriage, Blood on the Tracks was hailed as a return to
form by critics and it became his second number one album. After jamming with
folkies in Greenwich Village, Dylan decided to launch a gigantic tour, loosely
based on travelling medicine shows. Lining up an extensive list of supporting
musicians , including Joan Baez, Jonie Mitchell, Rambling Jack Elliott, Arlo
Guthrie, Mick Ronson, Roger McGuinn, and poet Allen Ginsberg . Dylan dubbed
the
tour the Rolling Thunder Revue and set out on the road in the fall of 1975.
For the next year, the Rolling Thunder Revue toured on and off, with Dylan
filming many of the concerts for a future film. During the tour, Desire was
released to considerable acclaim and success, spending five weeks on the top of
the charts.
Throughout the Rolling Thunder Revue, Dylan showcased "Hurricane" a protest
song he had written about boxer Rubin Carter, who had been unjustly imprisoned
for murder. The live album Hard Rain was released at the end of the tour. Dylan
released Renaldo and Clara, a four-hour film based on the Rolling Thunder tour,
to poor reviews in early 1978. Early in 1978, Dylan set out on another
extensive tour, this time backed by a band that resembled a Las Vegas lounge
band. The group was featured on the 1978 album Street Legal and the 1979 live
album, At Budokan. At the conclusion of the tour in 1979, Dylan announced that
he was a born-again Christain, and he launched a series of Christian albums that
fall with Slow Train Coming.
Though the reviews were mixed, the album was a success, peaking at number
three and going platinum. His supporting tour for Slow Train Coming featured
only his new religious material, much to the bafflement of his long-term fans.
Two other religious albums , Saved (1980) and Shot of Love (1981) ,followed,
both to poor reviews. In 1982, Dylan traveled to Israel, sparking rumors that
his conversion to Christianity was short-lived.
He returned to secular recording with 1983`s Infidels, which was greeted
with
favorable reviews. Dylan returned to performing in 1984, releasing the live
album Real Live at the end of the year. Empire Burlesque followed in 1985, but
its odd mix of dance tracks and rock and roll won few fans. However, the
five-album/triple-disc retrospective box set Biograph appeared that same year to
great acclaim. In 1986, Dylan hit the road with Tom Petty and the Heartbreakers
for a successful and acclaimed tour, but his album that year, Knocked Out
Loaded, was received poorly. The following year, he toured with the Grateful
Dead as his backing band; two years later, the souvenir album Dylan and the Dead
appeared. In 1988, Dylan embarked on what became known as "The Never-Ending
Tour", a constant stream of shows that ran on and off into the late `90s. That
same year, he released Down in the Groove, an album largely
comprised of covers.
The Never-Ending Tour received far stronger reviews than Down in the
Groove, but 1989`s Oh Mercy was his most acclaimed album since 1974`s Blood on
the Tracks. However, his 1990 follow-up, Under the Red Sky, was received
poorly, especially when compared to the enthusiastic reception for the 1991 box
set The Bootleg Series, Vols. 1-3 (Rare and Unreleased), a collection of
previously unreleased outtakes and rarities. For the remainder of the`90s, Dylan
divided his time between live concerts and painting. In 1992, he returned to
recording with Good as I Been to You, an acoustic collection of traditional folk
songs. It was followed in 1993 by another folk album, World Gone Wrong, which
won the Grammy for Best Traditional Folk Album. After the release of World Gone
Wrong, Dylan released a greatest-hits album and a live record.
Dylan released Time Out of Mind, his first album of original material in
seven years, in the fall of 1997. Time Out of Mind received his strongest
reviews in years and unexpectedly debuted in the Top 10. Its success sparked a
revival of interest in Dylan , he appeared on the cover of Newsweek to promote
the album and his concerts became sell-outs. Early in 1998, Time Out of Mind
received three Grammy Awards -- Album of the Year, Best Contemporary Folk Album
and Best Male Rock Vocal. [15]
- BARRY SADLER 1940-1966
It is September 8, 1966, and Barry Allen Sadler , singer, songwriter ,
author and former Green Beret lies close to death in a Guatemala City hospital .
On his way home in a cab from a day of drinking and carousing, he was shot. A
victim of robbery , assassination ,or general bad luck is uncertain. What is
certain , somewhere along the Antigua Highway a jacketed round entered his skull
just above his ear and plowed through his brain destroying one third of it. The
cabby says Sadler’s .380 Pietro Beretta pistol was out and went off . So
does the senorita riding with Barry who vamoosed shortly after the incident.
She was lucky because the cabby spent a year in jail for just being there . This
is the beginning of the end of Barry Sadler’s tumultuous
life. [16]
A woman , a gun and a far off exotic locale reads like pulp fiction , but
was Barry Sadler’s life . Catapulted to instant stardom in 1966 with his
rendering of The Ballad of the Green Berets , Barry became the poster
child of the Vietnam conflict , America’s longest and most socially
disastrous war . A decorated combat veteran , he penned this song and others
about the Special Forces that went on to sell over 11 million records with
The Ballad remaining at # 1 for five straight weeks in 1966. In the
late seventies and throughout the eighties he sold over two million books led
by the Casca the eternal Macrenary series , the tale of the Roman legionnaire
who speared Christ on the cross and then was damned to live until judgement day
as a solider. This is played out in 22 volumes spanning through history . This
rare double is the envy of anyone who has ever dared to make a living picking
up a guitar or a pen.
Since 1966 , Barry Sadler lies in Roosevelt Hospital in Guatemala City
unrecognizable from the swelling wound that has caved his head . Dramatically ,
less than seventy-two hours after the shooting , Barry is whisked away via
air ambulance chartered by Soldier of Fortune Editor Bobby Brown. He is
transportated to a Veterans Administration hospital in Nashville where he is
expected to die. Fourteen months later , he does just that , but not before a
custody battle and a kidnapping of his comatose body occur, a bizarre end for
a man graced with many talents , but never the master of any .
Barry was born in Carlsbad , New Mexico on November 1,1940, the second son
to John Sadler and Bebe Littlefield both originally from Phoenix, Arizona .His
parents divorced shortly thereafter. His father remarried soon but died from a
rare form of cancer involving his nervous system .Bebe the took Robert ,
Barry’s older brother, age twelve and Barry , age seven on an odyssey
throughout the southwest where she managed restaurants , bars and gambling
casinos.
Barry quit high school in Leadville, CO after the tenth grade and went
hitchhiking across the country . He returned and joined the Air Force on June 2
, 1958. He was seventeen and needed his mother’s authorization to enlist.
Trained as a radar specialist , he shipped out to Japan before his eighteenth
birthday.
Japan was the education Barry never received. His mind and body progressed
tremendously in this short year he was there. Unlike most servicemen, he thrived
from the exposure to the culture , learning to speak a little Japanese and
socializing with the locals. Under the tutelage of Aikawa Kaiichi , a martial
arts master, Barry saw more of Japanese life in that short year than most
visitors ever would and attained the black belt in Judo.
His year of discovery was soon over as Barry found himself back in the
U.S. where he was from California to Missouri and then back to Beale Air Force
Base , north of Sacramento, CA.He spent the rest of his enlistment there and
promoted to airman first class.
However, the boredom of radar and the strong rumor of a posting to Alaska
were enough to drive him back to civilian life after his enlistment was up in
June, 1962.
Unable to find work, Barry hit the road with a friend named Walter Lane .
Together in Barry’s car with Walter’s drums and Barry’s
guitar, they tried to make a living playing in bars , honky-tonks and shopping
centers. At that time Barry felt that he was getting nowhere.
Barry went back to the only success he’d ever experienced and
fatefully enlisted into the Army , volunteering for the airborne paratrooper
service. Barry thrived in the military environs , reveling in the mental and
physical competition . He earned his silver wings from a jump school at Fort
Benning . He began to think about writing a song involving the airborne . He
then had no idea what it would be , but he wanted to include the line ”
silver wings upon their chests”.
During the winter of 1963 , while Barry earned his wings , and unbeknownst
of most America , the conflict in Vietnam was silently escalating .Barry was now
in medic training at Fort Sam Houston , TX. A fateful encounter in the mess
hall sparked Barry into a whirlwind courtship with the slender WAC named Lavona
Edelman. Five weeks later they married , Lavona left the army , so they were
able to live as man and wife.
Now , in 1964 the conflict in Vietnam was heating up with North Vietnams
dubious attacks on the U.S. warships Maddox and C.
During May of ´65 , Barry was leading a patrol in the tall grass of
the central Highlands southeast of Pleiku and ran his knee into a Vietcong punji
stick. Thousands of those razor sharp bamboo sticks were everywhere , covered
with excrement .A major infection set in requiring surgeons to enlarge the wound
to drain it , while pumping Barry full of penicillin.
Barry was transferred to Clark air base in the Philippines before he was
sent home. He would keep his leg. Barry concluded correctly that he would not
return to the field. During his time in hospital he wrote The Ballad .He
gave it to Chet Gierlach of Music, Music INC, who then tried to push Barry as a
singer and a songwriter.
The Ballad was released on January 11, 1966 and the album on
January 20th. ” They took off like a wildfire, ” said
Barry.
The Ballad sold two million copies in five weeks. The media was all
over Barry. Stories appeared in Life , Time , Newsweek , Variety , Billboard
and Cash Box magazines while Barry appeared on the Ed Sullivan show , The Jimmy
Dean Show , NBC’s Home Front and Martha Raye’s ABC-TV Hollywood
Palace Program. On this show, Barry received two industry gold records marking
the record sales of one million copies for both the single and the
album.
Finally, Barry thought the song ruined his life. He was really into the
military lifestyle. He loved it –the combat , the action , the whole
scene-but once the song became sort of a National Anthem for the military, he
was called from the line of duty and used primarily as a PR –figure in the
Army. It pulled him away from the part of the military he really loved and made
him a poster child .
- Bibliography
1. Humphries , Patrick
The Complete Guide to the Music of Bob Dylan
1995 Omnibus Press
2. Kissinger, Henry A.
Memoiren 1969 –1973
1982 C. Bertelsmann
3. Sizemore,Gary
Barry Allen Sadler
1980, Sizemore Press
4. Skolnik , Richard
-Our Great Heritage from the beginning to 1762
-Our Great Heritage from 1763 to 1783
-Our Great Heritage from 1866 to 1896
-Our Great Heritage from 1849 to 1865
1975 Consolidated Book Publishers
5. Williams, Stuart
Mojo Music Magazine
1998 , EMAP
ERKLÄRUNG
Hiermit erkläre ich , daß ich die vorliegende Arbeit
selbstständig und ohne
fremde Hilfe verfaßt und keine anderen als die gegebenen Hilfsmittel
verwendet habe.
Insbesondere versichere ich , daß ich alle wörtlichen und
sinngemäßen Übernahmen aus anderen Werken als solche kenntlich
gemacht habe.
, den 30 .11.1998
( T. Payrhuber )
[3] Complete Guide to the music of Bob
Dylan, Patrick Humphrey
[4] Army Information Leaflet
[5] Army Information Leaflet: The U.S.
Special Forces
[6] The Green Berets mostly trained ”
Montagnards” ,they were almost one million inhabited in Vietnam in 1965,
which the G.B. as early as 1962 began organizing and arming to fight the
communist insurgents. They were indigenous people to Vietnam who descending from
Malaysia. Since they were regarded as inferior by the Vietnamese , the americans
could create an effective fighting force ( Henry A. Kissinger, Memoiren ,
1969-73)
[7]Billboard Magazine , the review 1960-
1969
[8] Henry A. Kissinger , Memoiren
,1969-73
[9] Billboard Magazine, The review
1960-69
[10] Our great heritage , the first
settlers
[11] The Spanish-American war took place
because of difficulties between Spain and its then colony Cuba. The U.S.
intervened to stop the killings in early versions of concentration camps . Many
of those interventionists were humanitarians and idealists but like T.
Roosevelt , many wished to see Cuban intervention turn into an opportunity for
American Imperialism .
[12] Our great heritage , The Civil War
years 1849-1865
[13] DTV Atlas zur Geschichte
[14] There is another very common version
of the third verse which I have also taken into consideration . As the rest of
the song remains the same, I only gave the third verse of the other
version.
[15] As this text is meant to be
additional background information , I summed up an article of MOJO music
magazine , November ‘98 ,pp. 36-66 for this biography.
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